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The only person who managed to coax Daniel Day-Lewis out of his eight-year retirement was a certain Ronan Day-Lewis, whose début feature “Anemone” stars his father. Film critic Emma Jones tells us why a mesmerising Day-Lewis senior steals the show with the intensity of his performance.
We also discuss the black comedy “How to Make a Killing” and its rich people problems, starring Glen Powell and Margaret Qualley.
Plus Nigerian filmmaker Akinola Davies Jr makes an impressive début with “My Father’s Shadow”, a touching reflection on parent-child dynamics which got nods at the Cannes Film Festival and the BAFTA awards.
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